Note: In 1989, Levi’s, the jeans company, used the Ronettes’ classic 1963
song “Be My Baby” as background music for a TV ad.
Ad story: A good Samaritan in the middle of nowhere, pulls his pick-up
truck over to the side of the road to help a distressed driver tow his over-
heated car to town for a repair. The flustered driver and his lady friend are
well-dressed, presumably heading out for dinner or a show.
The subplot in this tale, however, is the instant chemistry and eye contact
going on between the Good Samaritan and the distressed driver’s lady com-
panion. A towing fix is made by the Good Samaritan who sheds his 501 Levi
jeans to make a jerry-rigged towing line with the distressed car. The lady,
meanwhile, is beckoned by the Good Samaritan to ride along with him in the
front seat of his truck on the ride to town.
The jerry-rigged, Levi’s towing line, however, “unfortunately” gives out on
the way to town, setting the distressed car and its driver adrift, as the Good
Samaritan and his new lady friend ride off into the sunset….The ad’s fade-
out tagline: “Levis 501: Separates the Men From The Boys.” Cleverly done.
Ronettes & Be My Baby See related story at this website on the history of the Ronettes, a 1960s
“girl group,” and their song, “Be My Baby.” Story also covers details about
the success and production of their music, biographical profiles, some of
their performance and personal history, and more — including background
on their producer, Phil Spector, who also married lead Ronettes’ singer,
Ronnie Bennett, in what became a rocky marriage and later, a legal battle.
Rock star ‘Sting,’ especially popular through the 1980s and 1990s, cut a deal with the Jaguar car company in 2000 to use his ‘Desert Rose’ song in their TV commercials, helping make the song & its album top hits.
Sting, the rock star, whose real name is Gordon Sumner, is a U.K. musician, popular since the late 1970s. He is the recipient of numerous music awards and has taken home at least 16 Grammys in various categories. He has also been nominated for the best song Oscar.
In his musical career, Sting has had a number of affiliations, among them, as principal songwriter, lead singer, and bass player of the rock band Police. Including his years with Police, as well as his own solo career, Sting has sold over 100 million records worldwide.
Among his hits with Police, for example, have been: “Message in a Bottle” (1979), “Every Little Thing She Does” (1981), and “Every Breath You Take” (1983). Solo hits have included: “If You Love Somebody Set Them Free” (1985), “We’ll Be Together” (1987), “All This Time” (1991), “If Ever I Lose My Faith in You” (1993), and others. Sting has established himself as an artist pushing out the boundaries of pop music, incorporating elements of jazz, classical, and world music into his writing and songs.
CD for 'Desert Rose' single, which includes a Sting duet with Algerian raï singer Cheb Mami. Click for copy.
In the fall of 1999, however, Sting’s Brand New Day album was not exactly setting the music charts on fire — at least not initially. Included on the album was “Desert Rose,” a haunting, calling love song with desert imagery and some Arabic verse. The song is said to have been inspired, in part, by the science fiction novel and movie, Dune, both of which use desert imagery and Arabic language. In fact, Sting had an acting role as the character Feyd Rautha in the 1984 film version.
The song “Desert Rose” includes a Sting duet with Algerian raï singer Cheb Mami, and some reviewers noted the song’s “world music” flavor. But when Sting and his team tried to get the song played on the radio, they had little success. Sting’s new music, some suggested, was perhaps a bit too sophisticated for normal pop radio. Radio programmers reportedly showed Sting research that supposedly proved listeners did not want to hear “Desert Rose.” That’s when Sting and manager, Miles Copeland, were forced to “plan B,” as they say.
Video Used a Jag
Jaguar S-Type, similar to the one used in 'Desert Rose' video.
Sting’s video maker had shot a music video for the “Desert Rose” song. It featured Sting taking a trip through the desert in a stylish, chauferred car on his way to a nightclub to perform the song with Cheb Mami. The car they chose to shoot the video was a new Jaguar S-Type. In fact, when the video was completed, Sting’s manager, Miles Copeland, thought it looked a lot like a car commercial. He then sent it to Jaguar’s advertising agency and asked them to make their car commercial look like the video in exchange for free use of the song. The Jaguar people loved the tape as soon as they saw it. Sting then licensed “Desert Rose” to Jaguar and the two sides then collaborated on the project for developing the TV commercials, which were similar to the video. (Various versions of the video appear on YouTube and elsewhere.)
Jaguar’s advertising agency, Ogilvy & Mather of New York developed two TV spots — a 30-second and a 60-second version in a campaign they titled, “Sting S-Type.” It first began running on March 20, 2000 in the U.S. By August 2000, the ads began appearing in several international markets as well. The spots used footage from the Sting music video along with previous Jaguar footage. “Everyone dreams of becoming a rock star. What then do rock stars dream of?” – Jaguar’s ‘Sting-S-Type’ TV ad “To have Sting in our car and the ‘Desert Rose’ music behind the product is what marketing executives dream about,” explained Jaguar’s Al Saltiel, general marketing manager. “With the introduction of the S-Type last year and the upcoming launch of the X-400, one of our key strategic goals is to reach a broader market. We believe this campaign will help us do that.” The voice-over in the spots and the ad’s main line — “What do rock stars dream of” — grew out of the lyrics in Sting’s song. “Desert Rose” is based on a dream,” explained Ogilvy & Mather’s Anton Crone, describing the ad’s theme. “And from that we got the line, ‘Everyone dreams of becoming a rock star. What then do rock stars dream of?’ ” The answer: riding in a Jaguar S-Type, of course.
This Jaguar press kit was handed out at the New York International Auto Show 2000. It included ‘Desert Rose’ videos, Jaguar TV ads using the song, a CD-single with three versions of the song, and photos with Sting and car.
In early 2000, at the International Auto Show in New York, Jaguar also handed out and extensive press kit on their Sting and “Desert Rose” collaboration. It included a ‘Desert Rose’ video and two Jaguar TV ads using the song: a 60-second version and a 30-second version. A promotional CD- single was also included in the packet that had three versions of the song — a radio version at 3:54 minutes; an LP verison at 4:46; and a club mix version at 4:44. There were also six 35mm full color transparencies featuring Sting and car, full color sheets of the same photos, and some Jaguar background info. However, the deal between Sting and Jaguar to run the ads raised some eyebrows, considering that Sting was an avid environmentalist who was endorsing a gas-guzzling vehicle. The Jaguar ads, however, helped turn the tide for “Desert Rose” and the album Brand New Day. The ad ran everywhere and people started demanding the song, and it was soon being played on the radio and beyond.
“. . .‘Desert Rose’ was a moderately successful U.K. single, but in the States it became a phenomenon, turning into one of the biggest sleepers for some time,” explains one summary of the song at Sting’s website. The song ran for a good six months on the U.S. music charts and had “top ten” showing all across Europe. “[The Jaguar] TV commercial proved an excellent piece of marketing, with the song being continually exposed to mainstream TV audiences, who got 30 seconds of prime Sting when they least expected it.” The song ran for a good six months on the U.S. music charts and had “top ten” showing all across Europe. It became Sting’s biggest hit in 10 years. It also lifted the album Brand New Day to become one of Sting’s best selling ever. By January 2001, the album had sold more than three million copies (triple platinum). The album also won several Grammys for the year 2000, and at the Grammy awards ceremony, Sting performed “Desert Rose” with collaborator, Cheb Mami. Meanwhile, to date, Sting’s Brand New Day album has sold over 4 million copies.
Desert Rose Sting
I dream of rain
I dream of gardens
in the desert sand
I wake in pain
I dream of love as time runs
through my hand
I dream of fire
Those dreams are tied to a
horse that will never tire
And in the flames
Her shadows play in the
shape of a man’s desire
This desert rose
Each of her veils, a secret promise
This desert flower
No sweet perfume ever tortured
me more than this
And as she turns
This way she moves in the logic
of all my dreams
This fire burns
I realize that nothing’s as it seems
I dream of rain
I dream of gardens in the desert sand
I wake in pain
I dream of love as time runs
through my hand
I dream of rain
I lift my gaze to empty skies above
I close my eyes, this rare perfume
Is the sweet intoxication of her love
I dream of rain
I dream of gardens in the desert sand
I wake in pain
I dream of love as time runs
through my hand
Sweet desert rose
Each of her veils, a secret promise
This desert flower
No sweet perfume ever tortured
me more than this
Sweet desert rose
This memory of Eden haunts us all
This desert flower, this rare perfume
Is the sweet intoxication of the fall
In September 2000, Sting also performed the song with Cheb Mami, among others, at a Sting concert in New York’s Central Park before 20,000 fans who were given free tickets by the chain store Best Buy, then making its debut in the New York market. Ann Powers, reporting for TheNew York Times, made the following observations on the concert and Sting:
…No one seemed the least bothered by Best Buy’s ubiquity at Central Park; such deals do not undermine Sting’s credibility because they are utterly congruous with his image. Sting’s music is the sound of money well spent. His signature mix of torchy balladry and uplifting dance pop can absorb almost any outside influences, and he furnishes his songs with cosmopolitan touches like the Algerian rai music that underlies “Desert Rose” or the Cuban conjunto rhythms that occasionally enlivened Tuesday’s show. It’s the old colonialist way, updated for an age of corporate, rather than state, domination: if you love something, buy it up. It’s possible to view Sting’s genre-shopping as artistically commendable. After all, this is pop, whose essence is assimilation. In his groundbreaking band the Police, Sting rubbed reggae against punk to create a hybrid whose energy reflected the anxiety caused by such miscegenation. As he matured, Sting grew suspicious of rock’s amateurishness and moved toward an ideal based in poised musical interplay instead of conflict. His belief in a true world music led him to form outstanding bands, including the one appearing Tuesday. It also pushed his music toward a rootlessness that can seem decadent.
His cosmopolitanism illuminates when it holds that seed of self-awareness. It’s there in “Desert Rose,” in the amazing second vocal by Cheb Mami, the Algerian rai vocalist who joined Sting as an opening act at the concert. Sting, the Englishman, can nearly match the North African’s sinewy technique, but Sting’s fairy-tale lyrics about a veiled seductress are undermined by the immediacy of Cheb Mami’s voice. Performing the song with him, Sting finally surrendered, allowing his partner to lead its final crescendo. Humbly giving over to his inspiration, Sting proved himself a sensitive collaborator…
Sting also performed the song on the 2001 Superbowl pre-game show, reaching an audience in the millions. “Desert Rose” also became a regular song featured on Sting’s ‘Brand New Day’ world tour. So in many ways, the Jaguar deal proved a powerful catalyst for Sting’s new music; providing lift off for “Desert Rose” and the album.
Before making the deal with Jaguar, Sting’s record company had planned on selling about 1 million albums. Their marketing and promotion budget had been estimated at about $1.8 million, including $800,000 to make the “Desert Rose” video. Jaguar, by comparison, shelled out about $18 million for the TV commercial time, and gave the song exposure to a global audience Sting might not have otherwise reached. But as Sting’s then manger, Miles Copeland, would later explain of the Jaguar deal:
“…Initially all those around Sting, and to a degree Sting himself were fearful of doing a commercial as it was a given at that time that doing a commercial was ‘selling out.’ Sting agreed, reluctantly, mainly because the record company was not going to release another single in the U.S., and believing in the song, he wanted to give it a chance. The record company also thought I had given the store away UNTIL they saw the $18 million commitment [by Jaguar] for the TV buy. They were then supportive… [But] they still did not release it [the ‘Desert Rose’ single] in the U.S. UNTIL radio began demanding it.”
Jaguar’s Ad Music “Greatest Hits” – 1999-2008
Desert Rose Sting History Repeating Propellerhead & Shirley Bassey I Turn My Camera On Spoon The Girl’s Attractive Diamond Nights Hardcore Days & Softcore Nights Aqueduct Signs Of Love Moby I’m In Love With My Car Queen Battle Without Honor…#2 Tomoyasu Hotei London Calling The Clash Two Rocks And A Cup Of Water Massive Attack Hush Deep Purple __________________________ Sources: “Jaguar TV Ad’s Greatest Hits,”
Rhapsody Radish, February 20, 2007, and Jaguar.com.
Also, according to Copeland: “the success of the [Jaguar] TV spot enabled me to get Olgivy and Mather to create a $3.5 million print campaign. This time Sting, with the encouragement of people around him, said no, so the campaign was scrapped.” Copeland also believed that another potentially big single on the album could have been “After the Rain Has Fallen,” which was in fact released as the third single April 1, 2000.
Copeland, reading the positive reception that “Desert Rose” had received on Top 40 radio – because of the Jaguar TV spot, he believed – then sought “to get another ‘cool or hip’ product like Jaguar to buy into [“After The Rain”] if it was going to have a chance.”
Copeland did succeed in getting another company to agree to a $10 million TV budget to advertise around that song. The record company, learning of this, was thrilled. However, this time, according to Copeland, “Sting (again with those around him telling him it would be a mistake) said NO. In fact, his words were, ‘Well, we will find out if I can have a hit single without the help of a sponsored TV commercial’.” In any case, the single “After the Rain Has Fallen” did not have the success that “Desert Rose” did.
Jaguar, for its part, was quite happy to have used Sting’s “Desert Rose” song, and the experience appears to have had an impact on Jaguar’s thinking about how to package itself thereafter. Then owned by the U.S. auto giant Ford, Jaguar was the venerable U.K. car company known for its luxury cars, but also at that time, for its somewhat stuffy image. However, in the 1999-2008 period at least, Jaguar continued to use popular music in other car ads — from Deep Purple’s “Hush”, a 1968 hit, to Spoon’s more current tune, “I Turn My Camera On.” Songs by Clash, Queen, Moby and Propellerhead have also been used. Granted, not all of these worked as well as Sting’s “Desert Rose.” Yet taken together, such pop and progressive music tracks were helping to give Jaguar a new brand image, which in turn helped the company reach new groups of potential buyers.
Timothy D. Taylor’s 2012 book, “The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture,” University of Chicago Press, 345 pp. Click for copy.
New Song vs. Old Song
On the artist side of the equation, a few years after Sting’s success using the Jaguar ad, other artists followed allowing their music and/or image to be used in product advertising, including Bob Dylan, Sheryl Crow and Paul McCartney. However, some of the artists, like Sting, were using TV ads not so much to capitalize on older music, but as a way to help launch new songs or albums. Music fans are often offended to find their favorite old songs appearing in TV ads. They call it “selling out” and regard the advertising as a crass exploitation of the emotional connection built up over their years with song and artist. However, a new song used in a commercial, unknown and without a track record — no “emotional constituency,” so to speak — might be seen somewhat differently. Artists argue that given the tougher climate in the music industry and the keen competition out there, a new song needs all the help it can get. And TV spots are a good way to get noticed. Still, one car company ad or beer commercial does not always mean immediate pop success for the artist. And the chosen sponsor can also carry baggage that the artists’ fan base may not like. For the sponsor too, the chosen music can boomerang on the company or turn off other customers. Music fans, meanwhile, remain divided on the practice, whether old song or new, with some being more vehement about it than others.
